Run your whole post house from the cloud.
Editorial, color, and finishing on real Macs, with shared storage that mounts automatically, an indexed media library, and client review built in. Put your team anywhere and keep the turnarounds tight.
Your team shouldn't have to be in the building to cut.
A post house runs on fast workstations, shared storage, and client turnarounds that do not wait for IT. Keeping all of that inside one building means buying hardware on a guess, tying good editors to a specific desk, and treating every remote hire as a special case. CloudStudio gives you the same facility setup as a platform: real Mac seats, storage that mounts on its own, and a review loop that does not require your client to create an account.
Everything a post house runs on, in one platform.
Edit and Color stations
Bare-metal Edit stations for cutting and conform, Color stations for grade and finish, provisioned per seat and ready in minutes.
Shared media storage
Tiered pools per project: Hot for active shows, Archive when a show wraps, mounted over the network without a drive swap.
Fast ingest
Camera media moves in at the full speed of the line via the native macOS and Windows transfer agent, with each transfer verified and resumable.
An indexed library
Files are indexed as they land, browser proxies are generated automatically, and camera RAW formats are covered.
Client review
Cuts go out as password-protected links. Clients leave timecoded notes without an account. Sensitive cuts carry a forensic watermark tied to the viewer.
Managed studio IT
Devices, identity, network, and security managed for you. TPN badge support is available when a client security questionnaire lands on your desk.
From camera cards to client approval, in one platform.
A show starts with storage: a project pool your editors and assistants can reach, with access scoped to the people on that show. Camera media lands through the transfer agent and is indexed automatically; producers can browse proxies in the library while editorial loads the originals into Avid, Premiere, or Resolve on their stations. Cuts go to the client as secure review links and notes come back on timecode. When the grade starts, the same media is already mounted on a Color station, and when the show wraps, its media moves to a cheaper tier instead of a shelf of drives. Nothing gets exported into a second tool along the way, and those handoffs are exactly where most studio workflows lose time and lose track of versions.
Real Color stations for the grade, and an honest boundary.
Color stations are bare-metal Macs provisioned for Resolve, reached through a remote session tuned for color work. That covers most of the finishing timeline: building the grade, versioning, conform checks, and watermarked review rounds with the client. The honest boundary is the final pass. Sign-off on a calibrated reference display belongs in the room where that display lives. Studios that keep a grading suite on site feed it from the same CloudStudio storage, so the suite is available for the day that needs it and stops being where everything else waits in line.
Built for working post houses.
Studios cutting and finishing in Resolve, Premiere, or Avid on Macs; teams with remote or hybrid editors; facilities tired of buying workstations for every new hire; post houses fielding client security questionnaires.
Questions, answered.
Can a post house run entirely in the cloud?
The editorial core can: workstations, shared media storage, the library, and client review all run on CloudStudio, reachable from anywhere. The honest exceptions are work tied to a physical room, such as final-pass color approval on a calibrated reference display or a mix stage, which most studios keep on site and feed from the same cloud storage.
Do Avid, Premiere Pro, and DaVinci Resolve work on cloud workstations?
Yes. CloudStudio stations are real bare-metal Macs running full macOS, so Media Composer, Premiere Pro, and Resolve behave the way they do on a Mac under a desk. Bring the licenses you own, or have us provision apps as an optional add-on.
How does client review work for a studio?
Any cut in the library can go out as a secure browser link with a password and expiry. Clients leave timecoded notes without creating an account, downloads are controlled per link, and sensitive cuts can carry a visible forensic watermark tied to the viewer.
Can colorists grade remotely on CloudStudio?
Yes, with an honest boundary. Color stations are real bare-metal Macs provisioned for Resolve, reached through a remote session tuned for color work. That covers grading sessions, versioning, and review rounds. A final-pass approval on a calibrated reference display still belongs in the room where that display lives; studios feed that room from the same storage.
How does a new show get its media in?
The native macOS and Windows transfer agent moves camera media into the show's storage at the full speed of the line, resuming interrupted transfers and verifying each one. Files are indexed automatically as they land and browser proxies are generated in the background, including camera RAW formats.
Does your editing platform do that?
One platform for every stage of post. See how CloudStudio brings your entire M&E workflow together. We'll walk you through it.